{"id":4484,"date":"2022-11-14T18:11:56","date_gmt":"2022-11-14T17:11:56","guid":{"rendered":"https:\/\/fragmentsliminaires.net\/?p=4484"},"modified":"2024-08-30T15:18:21","modified_gmt":"2024-08-30T14:18:21","slug":"en-revenant-de-lexpo-estefania-penafiel-loaiza-carmen-repetitions-aux-rencontres-darles-2022","status":"publish","type":"post","link":"https:\/\/fragmentsliminaires.net\/es\/2022\/11\/14\/en-revenant-de-lexpo-estefania-penafiel-loaiza-carmen-repetitions-aux-rencontres-darles-2022\/","title":{"rendered":"En revenant de l&#8217;expo : Estefan\u00eda Pe\u00f1afiel Loaiza \u2013 Carmen (R\u00e9p\u00e9titions) aux Rencontres d\u2019Arles 2022"},"content":{"rendered":"\n<p>Article publi\u00e9 le 13 septembre 2022 sur le site www.enrevenantdelexpo.com<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.enrevenantdelexpo.com\/wp-content\/uploads\/2022\/08\/Estefania-Penafiel-Loaiza-...e-le-compagne-2022.jpg?resize=1068%2C826&amp;ssl=1\" alt=\"Estefan\u00eda Pe\u00f1afiel Loaiza - ...e le compagne, 2022\" title=\"Estefan\u00eda Pe\u00f1afiel Loaiza - ...e le compagne, 2022\"\/><figcaption class=\"wp-element-caption\">Estefan\u00eda Pe\u00f1afiel Loaiza &#8211; &#8230;e le compagne, 2022<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Jusqu\u2019au 28\u00a0ao\u00fbt, <strong>Estefan\u00eda Pe\u00f1afiel Loaiza<\/strong> pr\u00e9sente \u00ab<em><strong>\u00a0Carmen (R\u00e9p\u00e9titions)<\/strong><\/em>\u00a0\u00bb \u00e0 l\u2019<strong>\u00c9cole nationale sup\u00e9rieure de la photographie <\/strong>d\u2019Arles. C\u2019est incontestablement une des expositions majeures des <strong>Rencontres d\u2019Arles\u00a02022<\/strong>. L\u2019intelligence du projet, sa coh\u00e9rence et la justesse de sa mise en espace font de \u00ab<em><strong>\u00a0Carmen (R\u00e9p\u00e9titions)<\/strong><\/em>\u00a0\u00bb une proposition incontournable qui tranche singuli\u00e8rement avec ce que l\u2019on peut voir cet \u00e9t\u00e9 \u00e0 Arles. \u00ab<em><strong>\u00a0Carmen (R\u00e9p\u00e9titions)<\/strong><\/em>\u00a0\u00bb s\u2019inscrit dans la d\u00e9marche artistique de <strong>Estefan\u00eda Pe\u00f1afiel Loaiza<\/strong> o\u00f9 les lieux, les r\u00e9cits et les personnages fant\u00f4mes s\u2019entrecroisent entre r\u00e9alit\u00e9 et fiction\u2026<\/p>\n\n\n\n<p><a href=\"https:\/\/www.enrevenantdelexpo.com\/wp-content\/uploads\/2022\/08\/Estefania-Penafiel-Loaiza-Carmen-Repetitions-\u2013-Rencontres-dArles-2022-01.jpg\"><\/a><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><a href=\"https:\/\/www.enrevenantdelexpo.com\/wp-content\/uploads\/2022\/08\/Estefania-Penafiel-Loaiza-Carmen-Repetitions-\u2013-Rencontres-dArles-2022-01.jpg\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.enrevenantdelexpo.com\/wp-content\/uploads\/2022\/08\/Estefania-Penafiel-Loaiza-Carmen-Repetitions-\u2013-Rencontres-dArles-2022-01.jpg?resize=696%2C368&amp;ssl=1\" alt=\"Estefan\u00eda Pe\u00f1afiel Loaiza - Carmen (R\u00e9p\u00e9titions) \u2013 Rencontres d\u2019Arles 2022\" class=\"wp-image-49279\"\/><\/a><\/figure>\n<\/div>\n\n\n<p>Ce projet prolonge le travail commenc\u00e9 en 2020-2021 \u00e0 la Villa M\u00e9dicis. Intitul\u00e9 <em>Les villes invisibles (Carmen)<\/em> \u2013 r\u00e9f\u00e9rence r\u00e9currente chez l\u2019artiste au roman d\u2019Italo Calvino \u2013 sa r\u00e9sidence \u00e0 l\u2019Acad\u00e9mie de France \u00e0 Rome prenait comme point de d\u00e9part une histoire qui reliait le souvenir d\u2019une femme disparue au d\u00e9but des ann\u00e9es\u00a01980 en \u00c9quateur et l\u2019\u00e9vocation de <em>Il Quarto Stato<\/em> (1901), un imposant tableau de Pellizza da\u00a0Volpedo, conserv\u00e9 \u00e0 la Galleria d\u2019arte moderna di\u00a0Milano.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.enrevenantdelexpo.com\/wp-content\/uploads\/2022\/08\/Estefania-Penafiel-Loaiza-Carmen-repetitions-2021-2022.-Avec-laimable-autorisation-de-lartiste.jpg?resize=696%2C392&amp;is-pending-load=1#038;ssl=1\" alt=\"\" class=\"wp-image-49356\"\/><figcaption class=\"wp-element-caption\"><strong>Estefan\u00eda Pe\u00f1afiel Loaiza<\/strong> \u2013 Carmen (r\u00e9p\u00e9titions), 2021-2022 (Pellizza da Volpedo \u2013 II Quarto Stato, 1901). Avec l\u2019aimable autorisation de l\u2019artiste.<\/figcaption><\/figure>\n<\/div>\n\n\n<p>Lire la suite : <a href=\"https:\/\/www.enrevenantdelexpo.com\/2022\/08\/23\/estefania-penafiel-loaiza-carmen-repetitions-aux-rencontres-darles-2022\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.enrevenantdelexpo.com\/2022\/08\/23\/estefania-penafiel-loaiza-carmen-repetitions-aux-rencontres-darles-2022\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Article publi\u00e9 le 13 septembre 2022 sur le site www.enrevenantdelexpo.com Jusqu\u2019au 28\u00a0ao\u00fbt, Estefan\u00eda Pe\u00f1afiel Loaiza pr\u00e9sente \u00ab\u00a0Carmen (R\u00e9p\u00e9titions)\u00a0\u00bb \u00e0 l\u2019\u00c9cole nationale sup\u00e9rieure de la photographie d\u2019Arles. C\u2019est incontestablement une des expositions majeures des Rencontres d\u2019Arles\u00a02022. L\u2019intelligence du projet, sa coh\u00e9rence et la justesse de sa mise en espace font de \u00ab\u00a0Carmen (R\u00e9p\u00e9titions)\u00a0\u00bb une proposition incontournable [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4485,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[44,15],"tags":[],"class_list":["post-4484","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-textes-critiques"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"es","enabled_languages":["fr","es","en"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"es":{"title":false,"content":false,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/posts\/4484","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/comments?post=4484"}],"version-history":[{"count":1,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/posts\/4484\/revisions"}],"predecessor-version":[{"id":4486,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/posts\/4484\/revisions\/4486"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/media\/4485"}],"wp:attachment":[{"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/media?parent=4484"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/categories?post=4484"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/tags?post=4484"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}