{"id":2910,"date":"2020-01-13T17:25:13","date_gmt":"2020-01-13T16:25:13","guid":{"rendered":"http:\/\/fragmentsliminaires.net\/?p=2910"},"modified":"2020-01-13T17:27:25","modified_gmt":"2020-01-13T16:27:25","slug":"une-certaine-idee-du-paradis-2","status":"publish","type":"post","link":"https:\/\/fragmentsliminaires.net\/es\/2020\/01\/13\/une-certaine-idee-du-paradis-2\/","title":{"rendered":"una cierta idea del para\u00edso"},"content":{"rendered":"\n<h5 class=\"has-cyan-bluish-gray-color has-text-color wp-block-heading\">2011, instalaci\u00f3n mural, 50 marcos, ceniza sobre papel, dimensiones variables<\/h5>\n\n\n\n<p>Sobre un muro blanco, unos cincuenta cuadros guardan las cenizas de diversos documentos quemados, sin otro medio de fijaci\u00f3n que la presi\u00f3n entre el vidrio y el soporte. Las formas que toman las cenizas, hacen pensar a islas que forman un archipielago y sugieren las representaciones imaginarias de la \u00ab Terra incognita \u00bb y de la \u00ab Cannibalia \u00bb que se encontraban frecuentemente en las primeras cartograf\u00edas del Nuevo Mundo, realizadas en los siglos XV et XVI.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><code><div aria-live=\"polite\" id=\"soliloquy-container-2711_1\" class=\"soliloquy-container soliloquy-transition-fade  soliloquy-theme-classic\" style=\"max-width:960px;max-height:640px;\"><ul id=\"soliloquy-2711_1\" class=\"soliloquy-slider soliloquy-slides soliloquy-wrap soliloquy-clear\"><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-1 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-382\" class=\"soliloquy-image soliloquy-image-1\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/paradis1-960x640_c.jpg\" alt=\"\" \/><div class=\"soliloquy-caption\"><div class=\"soliloquy-caption-inside\">\u00a9 Aur\u00e9lien Mole \/ Galerie Alain Gutharc 2012<\/div><\/div><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-2 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-385\" class=\"soliloquy-image soliloquy-image-2\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/paradis4-960x640_c.jpg\" alt=\"\" \/><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-3 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-386\" class=\"soliloquy-image soliloquy-image-3\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/une-certaine-ide\u0301e-du-paradis-de\u0301tail-Estefania-Penafiel-Loaiza-960x640_c.jpg\" alt=\"une certaine ide\u0301e du paradis de\u0301tail Estefania Penafiel Loaiza\" \/><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-4 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-2718\" class=\"soliloquy-image soliloquy-image-4\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2019\/12\/02_066858b_gozard_web-copie-960x640_c.jpg\" alt=\"\" \/><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-5 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-2719\" class=\"soliloquy-image soliloquy-image-5\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2019\/12\/03_066690b_gozard_web-copie-960x640_c.jpg\" alt=\"\" \/><\/li><\/ul><\/div><noscript><style type=\"text\/css\">#soliloquy-container-2711_1{opacity:1}<\/style><\/noscript><\/code><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2011, instalaci\u00f3n mural, 50 marcos, ceniza sobre papel, dimensiones variables Sobre un muro blanco, unos cincuenta cuadros guardan las cenizas de diversos documentos quemados, sin otro medio de fijaci\u00f3n que la presi\u00f3n entre el vidrio y el soporte. Las formas que toman las cenizas, hacen pensar a islas que forman un archipielago y sugieren las [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2718,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,25,23,14],"tags":[],"class_list":["post-2910","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-insitu","category-series","category-autres","category-travaux"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"es","enabled_languages":["fr","es","en"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"es":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/posts\/2910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/comments?post=2910"}],"version-history":[{"count":3,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/posts\/2910\/revisions"}],"predecessor-version":[{"id":2913,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/posts\/2910\/revisions\/2913"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/media\/2718"}],"wp:attachment":[{"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/media?parent=2910"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/categories?post=2910"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/tags?post=2910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}