{"id":2264,"date":"2018-05-31T19:00:07","date_gmt":"2018-05-31T19:00:07","guid":{"rendered":"http:\/\/fragmentsliminaires.net\/?p=2264"},"modified":"2018-05-31T19:00:07","modified_gmt":"2018-05-31T19:00:07","slug":"exposition-errements","status":"publish","type":"post","link":"https:\/\/fragmentsliminaires.net\/es\/2018\/05\/31\/exposition-errements\/","title":{"rendered":"exposition \u00aberrements\u00bb"},"content":{"rendered":"<h1 style=\"text-align: center;\">errements<\/h1>\n<h2 style=\"text-align: center;\">exposition personelle<\/h2>\n<h3 style=\"text-align: center;\">IMAGE \/ IMATGE centre d&#8217;art, Orthez, du 2 mars au 12 mai 2018<\/h3>\n<p>&nbsp;<\/p>\n<div id=\"attachment_2265\" style=\"width: 779px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2018\/05\/Errements_04_BD-copia.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2265\" class=\" wp-image-2265\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2018\/05\/Errements_04_BD-copia.jpg\" alt=\"\" width=\"769\" height=\"513\" data-id=\"2265\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2018\/05\/Errements_04_BD-copia.jpg 1200w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2018\/05\/Errements_04_BD-copia-300x200.jpg 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2018\/05\/Errements_04_BD-copia-768x513.jpg 768w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2018\/05\/Errements_04_BD-copia-1024x684.jpg 1024w\" sizes=\"auto, (max-width: 769px) 100vw, 769px\" \/><\/a><p id=\"caption-attachment-2265\" class=\"wp-caption-text\">une exposition d\u2019Estefan\u00eda Pe\u00f1afiel Loaiza<br \/>au centre d\u2019art image\/imatge, Orthez.<\/p><\/div>\n<p>Les photographies, vid\u00e9os et installations d\u2019Estefan\u00eda Pe\u00f1afiel Loaiza se distinguent par un vocabulaire plastique qui emprunte au b\u00e9gaiement, au transfert de mati\u00e8res, \u00e0 l\u2019effacement ou la r\u00e9p\u00e9tition. L\u2019exposition <em>errements<\/em> invite \u00e0 la d\u00e9rive autant qu\u2019\u00e0 la perte. Elle pr\u00e9sente un ensemble de pi\u00e8ces qui toutes questionnent la d\u00e9limitation d\u2019un territoire. Certaines portent sur les notions de fronti\u00e8re et de d\u00e9placement, d\u2019autres interrogent nos repr\u00e9sentations g\u00e9ographiques, et d\u2019autres encore \u00e9voquent le voyage mental, le r\u00f4le de l\u2019\u00e9crit et du langage comme espaces de projection ou de relecture d\u2019un territoire v\u00e9cu\u2026<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.image-imatge.org\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.image-imatge.org\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>errements exposition personelle IMAGE \/ IMATGE centre d&#8217;art, Orthez, du 2 mars au 12 mai 2018 &nbsp; Les photographies, vid\u00e9os et installations d\u2019Estefan\u00eda Pe\u00f1afiel Loaiza se distinguent par un vocabulaire plastique qui emprunte au b\u00e9gaiement, au transfert de mati\u00e8res, \u00e0 l\u2019effacement ou la r\u00e9p\u00e9tition. L\u2019exposition errements invite \u00e0 la d\u00e9rive autant qu\u2019\u00e0 la perte. Elle [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2267,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,41],"tags":[],"class_list":["post-2264","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-expositions"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"es","enabled_languages":["fr","es","en"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"es":{"title":false,"content":false,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/posts\/2264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/comments?post=2264"}],"version-history":[{"count":1,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/posts\/2264\/revisions"}],"predecessor-version":[{"id":2269,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/posts\/2264\/revisions\/2269"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/media\/2267"}],"wp:attachment":[{"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/media?parent=2264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/categories?post=2264"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/tags?post=2264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}