{"id":1717,"date":"2016-02-03T14:25:44","date_gmt":"2016-02-03T14:25:44","guid":{"rendered":"http:\/\/fragmentsliminaires.net\/?p=1717"},"modified":"2020-01-13T17:16:16","modified_gmt":"2020-01-13T16:16:16","slug":"une-certaine-idee-du-paradis","status":"publish","type":"post","link":"https:\/\/fragmentsliminaires.net\/es\/2016\/02\/03\/une-certaine-idee-du-paradis\/","title":{"rendered":"una cierta idea del para\u00edso (serie)"},"content":{"rendered":"\n<p class=\"has-text-align-center\">.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">una cierta idea del para\u00edso<\/h3>\n\n\n\n<p><\/p>\n\n\n<h5><span style=\"color: #999999;\">2011, instalaci\u00f3n mural, 50 marcos, ceniza sobre papel, dimensiones variables<\/span><\/h5>\n<p>Sobre un muro blanco, unos cincuenta cuadros guardan las cenizas de diversos documentos quemados, sin otro medio de fijaci\u00f3n que la presi\u00f3n entre el vidrio y el soporte. Las formas que toman las cenizas, hacen pensar a islas que forman un archipielago y sugieren las representaciones imaginarias de la \u00ab Terra incognita \u00bb y de la \u00ab Cannibalia \u00bb que se encontraban frecuentemente en las primeras cartograf\u00edas del Nuevo Mundo, realizadas en los siglos XV et XVI.<\/p>\n<p style=\"text-align: center;\"><code id=\"soliloquy-shortcode\" class=\"soliloquy-code\"><div aria-live=\"polite\" id=\"soliloquy-container-2711_1\" class=\"soliloquy-container soliloquy-transition-fade  soliloquy-theme-classic\" style=\"max-width:960px;max-height:640px;\"><ul id=\"soliloquy-2711_1\" class=\"soliloquy-slider soliloquy-slides soliloquy-wrap soliloquy-clear\"><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-1 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-382\" class=\"soliloquy-image soliloquy-image-1\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/paradis1-960x640_c.jpg\" alt=\"\" \/><div class=\"soliloquy-caption\"><div class=\"soliloquy-caption-inside\">\u00a9 Aur\u00e9lien Mole \/ Galerie Alain Gutharc 2012<\/div><\/div><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-2 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-385\" class=\"soliloquy-image soliloquy-image-2\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/paradis4-960x640_c.jpg\" alt=\"\" \/><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-3 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-386\" class=\"soliloquy-image soliloquy-image-3\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/une-certaine-ide\u0301e-du-paradis-de\u0301tail-Estefania-Penafiel-Loaiza-960x640_c.jpg\" alt=\"une certaine ide\u0301e du paradis de\u0301tail Estefania Penafiel Loaiza\" \/><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-4 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-2718\" class=\"soliloquy-image soliloquy-image-4\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2019\/12\/02_066858b_gozard_web-copie-960x640_c.jpg\" alt=\"\" \/><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-5 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-2719\" class=\"soliloquy-image soliloquy-image-5\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2019\/12\/03_066690b_gozard_web-copie-960x640_c.jpg\" alt=\"\" \/><\/li><\/ul><\/div><noscript><style type=\"text\/css\">#soliloquy-container-2711_1{opacity:1}<\/style><\/noscript><\/code><\/p>\n<p>\u00a0<\/p>\n<p style=\"text-align: center;\">.<\/p>\n<hr \/>\n<h3>una cierta idea del para\u00edso 1. este oro comemos (seg\u00fan Guam\u00e1n Poma de Ayala)<\/h3>\n<h5><span style=\"color: #999999;\">2006, dibujo mural, chocolate suizo, cacao ecuatoriano, dimensiones variables<code id=\"soliloquy-shortcode\" class=\"soliloquy-code\"><\/code><\/span><\/h5>\n<div id=\"dc_vk_code\" style=\"display: none;\">\u00a0<\/div>\n\n\n<p class=\"has-text-align-left\">Dibujo ejecutado directamente sobre el muro de la sala de exposici\u00f3n del centro de arte Attitudes, en Ginebra, Suiza (primer lugar en el que se realiz\u00f3 la obra). Se trata de una reproducci\u00f3n a gran escala de un dibujo extra\u00eddo de La Nueva Cr\u00f3nica y Buen Gobierno de Guam\u00e1n Poma de Ayala (1615), en el que se representa a un inca y a un conquistador espa\u00f1ol intercambiando productos. A modo de tinta utilic\u00e9 una fundici\u00f3n de chocolate suizo compuesto de cacao ecuatoriano.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><code><div aria-live=\"polite\" id=\"soliloquy-container-2702_2\" class=\"soliloquy-container soliloquy-transition-fade  soliloquy-theme-classic\" style=\"max-width:960px;max-height:650px;\"><ul id=\"soliloquy-2702_2\" class=\"soliloquy-slider soliloquy-slides soliloquy-wrap soliloquy-clear\"><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-1 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-399\" class=\"soliloquy-image soliloquy-image-1\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/LA1-960x650_c.jpg\" alt=\"\" \/><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-2 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-392\" class=\"soliloquy-image soliloquy-image-2\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/PICT0046-960x650_c.jpg\" alt=\"\" \/><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-3 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-2688\" class=\"soliloquy-image soliloquy-image-3\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2016\/02\/una-cierta-idea-del-paraiso_1-scaled-960x650_c.jpg\" alt=\"una cierta idea del paraiso_1\" \/><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-4 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-2690\" class=\"soliloquy-image soliloquy-image-4\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2016\/02\/una-cierta-idea-del-paraiso_3-scaled-960x650_c.jpg\" alt=\"una cierta idea del paraiso_3\" \/><\/li><\/ul><\/div><noscript><style type=\"text\/css\">#soliloquy-container-2702_2{opacity:1}<\/style><\/noscript><\/code><\/p>\n","protected":false},"excerpt":{"rendered":"<p>. una cierta idea del para\u00edso 2011, instalaci\u00f3n mural, 50 marcos, ceniza sobre papel, dimensiones variables Sobre un muro blanco, unos cincuenta cuadros guardan las cenizas de diversos documentos quemados, sin otro medio de fijaci\u00f3n que la presi\u00f3n entre el vidrio y el soporte. Las formas que toman las cenizas, hacen pensar a islas que [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":386,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42,17,25,23,14],"tags":[],"class_list":["post-1717","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actions-performances","category-insitu","category-series","category-autres","category-travaux"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"es","enabled_languages":["fr","es","en"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"es":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/posts\/1717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/comments?post=1717"}],"version-history":[{"count":36,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/posts\/1717\/revisions"}],"predecessor-version":[{"id":2909,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/posts\/1717\/revisions\/2909"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/media\/386"}],"wp:attachment":[{"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/media?parent=1717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/categories?post=1717"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/tags?post=1717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}