{"id":1707,"date":"2017-08-03T14:11:44","date_gmt":"2017-08-03T14:11:44","guid":{"rendered":"http:\/\/fragmentsliminaires.net\/?p=1707"},"modified":"2023-05-23T16:43:14","modified_gmt":"2023-05-23T15:43:14","slug":"cartographies","status":"publish","type":"post","link":"https:\/\/fragmentsliminaires.net\/es\/2017\/08\/03\/cartographies\/","title":{"rendered":"cartograf\u00edas (serie)"},"content":{"rendered":"<h3>sin t\u00edtulo (paisaje)<\/h3>\n<h5><span style=\"color: #808080;\">2008, v\u00eddeo HD (1 min 55)<\/span><\/h5>\n<p><code><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/131075858\" allowfullscreen=\"allowfullscreen\" width=\"800\" height=\"450\" frameborder=\"0\"><\/iframe><\/code><\/p>\n<p style=\"text-align: justify;\">Plano fijo de una frase manuscrita extra\u00edda del libro Ecuador de Henri Michaux : \u00ab l\u2019horizon d\u2019abord dispara\u00eet \u00bb. Mi mano entra en cuadro y al mismo momento que escribe las palabras, las borra al contacto con la pluma.<\/p>\n<hr>\n<h3 id=\"dc_vk_code\" style=\"display: none;\"><\/h3>\n<h3>prefacio a una cartograf\u00eda de un pa\u00eds imaginado<\/h3>\n<h5><span style=\"color: #808080;\">2008, instalaci\u00f3n, 2 v\u00eddeos sincronizados (103 min 56), dimensiones variables<span style=\"color: #ffffff;\">\/<\/span><br>\n<\/span><\/h5>\n<p style=\"text-align: justify;\">Trabajo realizado a partir de mi lectura de Ecuador, el diario de viaje escrito por Henri Michaux en 1929 tras su visita a mi pa\u00eds. Para realizar esta obra reescrib\u00ed al rev\u00e9s (desde el fin hacia el inicio, de derecha a izquierda y de abajo hacia arriba) un cap\u00edtulo del libro. Dos c\u00e1maras filmaron en simult\u00e1neo mi mano mientras escrib\u00eda sobre el papel, una en plano general y la otra en plano cerrado. Este material fue luego editado al rev\u00e9s, de manera que el video produce la impresi\u00f3n de que la pluma retira la tinta en lugar de depositarla, desapareciendo el texto conforme recorre las palabras, hasta dejar las p\u00e1ginas enteramente blancas.<\/p>\n<h5><\/h5>\n<p><a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-283 aligncenter\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface2.jpg\" alt=\"\" width=\"2362\" height=\"1576\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface2.jpg 2362w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface2-300x200.jpg 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface2-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 2362px) 100vw, 2362px\" \/><\/a> <a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-285 aligncenter\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface3.jpg\" alt=\"\" width=\"2362\" height=\"1648\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface3.jpg 2362w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface3-300x209.jpg 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface3-1024x714.jpg 1024w\" sizes=\"auto, (max-width: 2362px) 100vw, 2362px\" \/><\/a> <a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-282 aligncenter\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface1.jpg\" alt=\"\" width=\"2362\" height=\"1550\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface1.jpg 2362w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface1-300x197.jpg 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface1-1024x672.jpg 1024w\" sizes=\"auto, (max-width: 2362px) 100vw, 2362px\" \/><\/a><\/p>\n<hr>\n<div id=\"dc_vk_code\" style=\"display: none;\"><\/div>\n<h3>cartograf\u00edas 1. la crisis de la dimensi\u00f3n<\/h3>\n<h5><span style=\"color: #808080;\">2010, v\u00eddeo HD (18 min 40) <span style=\"color: #ffffff;\">\/<\/span><br>\n<\/span><\/h5>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/349316025\" allowfullscreen=\"allowfullscreen\" width=\"800\" height=\"450\" frameborder=\"0\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">Un libro abierto reposa sobre una mesa. La p\u00e1gina de la derecha no tiene texto impreso. Una mano entra en cuadro y recorre la p\u00e1gina en blanco con las yemas de los dedos cargados de tinta. Al rozar la p\u00e1gina, la tinta se imprime en la superficie, haciendo aparecer el texto que faltaba. Este video forma parte de una serie de trabajos que toman por objeto el libro de Henri Michaux <em><strong>Ecuador<\/strong><\/em> (1929).<\/p>\n<hr>\n<h3 style=\"text-align: justify;\"><\/h3>\n<h3>cartograf\u00edas 2. all\u00ed sopla un viento terrible<\/h3>\n<h5><span style=\"color: #808080;\">2015, v\u00eddeo HD (3 min 10), sonido<\/span><\/h5>\n<div id=\"dc_vk_code\" style=\"display: none;\"><\/div>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/131893038\" allowfullscreen=\"allowfullscreen\" width=\"800\" height=\"450\" frameborder=\"0\"><\/iframe><br>\nExtra\u00eddo del libro Ecuador 1929 de Henri Michaux, el poema \u00ab Je suis n\u00e9 trou\u00e9 \u00bb es recitado hasta perder el aliento. El video muestra las diversas tentativas de declamar hasta el final de cada estrofa sin retomar la respiraci\u00f3n y expirando al mismo tiempo el humo de un cigarrillo, recomenzando de la misma manera cada estrofa. En el montaje, las tomas de seis intentos sucesivos fueron sobrepuestos, de tal manera que el perfil se desdobla, se multiplica, y las voces se montan una sobre otra, formando una especie de canon a seis voces.<\/p>\n<hr>\n<h3>cartograf\u00edas 3. un nombre es un objeto a desprender<\/h3>\n<h5><span style=\"color: #999999;\">2016, serie de 12 fotograf\u00edas b\/n 58 x 87 cm<\/span><\/h5>\n<p>Una serie de manos con la punta de los dedos impregnadas de tinta. Al mirar de cerca se descubre un texto inscrito en la yema de los dedos. Ciertas im\u00e1genes permiten leer un fragmento de frase, mientras que en otras la sobreposici\u00f3n de palabras torna al texto ilegible.<\/p>\n<p>Parte de la serie \u201ccartograf\u00edas\u201d, el texto que impregna los dedos corresponde a un cap\u00edtulo entero del libro <em>Ecuador<\/em> de Henri Michaux (1929).<\/p>\n<p><code id=\"soliloquy-shortcode\" class=\"soliloquy-code\"><\/code><a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_12-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-2127\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_12-1.jpg\" alt=\"\" width=\"1890\" height=\"1260\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_12-1.jpg 1890w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_12-1-300x200.jpg 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_12-1-768x512.jpg 768w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_12-1-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1890px) 100vw, 1890px\" \/><\/a><a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_6.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-2124\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_6.jpg\" alt=\"\" width=\"1890\" height=\"1260\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_6.jpg 1890w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_6-300x200.jpg 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_6-768x512.jpg 768w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_6-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1890px) 100vw, 1890px\" \/><\/a><\/p>\n<hr>\n<h3><\/h3>\n<h3><\/h3>\n<h3><\/h3>\n<h3><\/h3>\n<h3><a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_3-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-2123\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_3-1.jpg\" alt=\"\" width=\"1890\" height=\"1260\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_3-1.jpg 1890w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_3-1-300x200.jpg 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_3-1-768x512.jpg 768w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_3-1-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1890px) 100vw, 1890px\" \/><\/a><\/h3>\n<hr>\n<hr>\n<h3><\/h3>\n<h3><\/h3>\n<p><code id=\"soliloquy-shortcode\" class=\"soliloquy-code\"><\/code><\/p>\n<hr>\n<h3><\/h3>\n<h3>cartographies 4. n\u00e1usea<\/h3>\n<h5><span style=\"color: #999999;\">2016, 2016, video d\u00edptico HD (11 min 20), sonido<\/span><\/h5>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/413062500\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" width=\"800\" height=\"450\" frameborder=\"0\"><\/iframe><\/p>\n<p>En la primera pantalla, la c\u00e1mara sigue a una mano que retira cuidadosamente pedazos de papel impreso del interior de la boca de la artista, con los cuales luego reconstruye una p\u00e1gina del libro \u00ab&nbsp;Ecuador&nbsp;\u00bb (Michaux 1929). La segunda pantalla presenta un plano fijo del libro abierto, donde vemos reconstruirse la p\u00e1gina y el texto con los retazos de papel regurgitado.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2132 aligncenter\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/08\/cartographies-4-captures.png\" alt=\"\" data-id=\"2132\" width=\"1309\" height=\"1255\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/08\/cartographies-4-captures.png 1309w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/08\/cartographies-4-captures-300x288.png 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/08\/cartographies-4-captures-768x736.png 768w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/08\/cartographies-4-captures-1024x982.png 1024w\" sizes=\"auto, (max-width: 1309px) 100vw, 1309px\" \/><\/p>\n<hr>\n<h3>cartographies 5. pan para el viajero<\/h3>\n<h5><span style=\"color: #999999;\">2016, serie de 3 fotograf\u00edas en color 33 x 55 cm<\/span><\/h5>\n<h5><\/h5>\n<p><a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2137 aligncenter\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_1.jpg\" alt=\"\" width=\"1890\" height=\"1260\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_1.jpg 1890w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_1-300x200.jpg 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_1-768x512.jpg 768w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_1-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1890px) 100vw, 1890px\" \/><\/a> <a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2138 aligncenter\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_2.jpg\" alt=\"\" width=\"1890\" height=\"1260\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_2.jpg 1890w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_2-300x200.jpg 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_2-768x512.jpg 768w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_2-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1890px) 100vw, 1890px\" \/><\/a> <a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2139 aligncenter\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_3.jpg\" alt=\"\" width=\"1890\" height=\"1260\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_3.jpg 1890w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_3-300x200.jpg 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_3-768x512.jpg 768w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_3-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1890px) 100vw, 1890px\" \/><\/a><\/p>\n<hr>\n\n\n<h1 class=\"wp-block-heading\">cartographies (s\u00e9rie)<\/h1>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft\"><a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_3-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1890\" height=\"1260\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_3-1.jpg\" alt=\"\" class=\"wp-image-2123\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_3-1.jpg 1890w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_3-1-300x200.jpg 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_3-1-768x512.jpg 768w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_3-1-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1890px) 100vw, 1890px\" \/><\/a><\/figure>\n<\/div>\n\n\n<h1 class=\"wp-block-heading\"><strong><em>&nbsp; cartographies<\/em><\/strong><\/h1>\n\n\n\n<p>\u00ab&nbsp;L\u2019\u00c9quateur imagin\u00e9 par Estefan\u00eda Pe\u00f1afiel Loaiza n\u2019est ni un pays ni une carte, mais plut\u00f4t un texte qui prend le relais de l\u2019un et de l\u2019autre. Le texte, objet de l\u2019artiste, est un territoire v\u00e9cu. \u00c9crit en 1928, le journal <em>Ecuador<\/em> est une feuille de route qui d\u00e9rive entre des cartes, des atlas, des encyclop\u00e9dies, des albums et des dictionnaires, \u00e0 la fois peints, trou\u00e9s ou coup\u00e9s par l\u2019artiste et o\u00f9 chaque page porte une couche g\u00e9ologique. \u00ab&nbsp;La terre de l\u2019\u00c9quateur est friable. Il arrive qu\u2019elle s\u2019\u00e9branle, c\u00e8de, s\u2019\u00e9croule.&nbsp;\u00bb, \u00e9crit Michaux le 28 F\u00e9vrier 1928. D\u2019apr\u00e8s l\u2019<em>Ecuador<\/em>, l\u2019artiste transforme le territoire du texte en situation de lecture. Ces cartographies ouvrent des hypoth\u00e8ses sur un lieu invent\u00e9 par Michaux, qui est en fait un territoire litt\u00e9raire. [\u2026] Estefan\u00eda Pe\u00f1afiel Loaiza accueille le corps de Michaux comme celui d\u2019un ennemi digne de respect, puis prend le relais du po\u00e8te, saisissant les inspirations et les expirations, les systoles et les diastoles, les basculements de la prose aux vers et vice-versa [\u2026] L\u2019artiste produit une ellipse \u00e0 l\u2019int\u00e9rieur d\u2019une ellipse, en creusant dans les livres la notion de ligne qui est son objet. A chaque \u0153uvre, la ligne imaginaire est mise en question. Chaque partie de la cartographie d\u2019Estefan\u00eda Pe\u00f1afiel Loaiza rend de plus en plus <em>r\u00e9elle<\/em> la dimension de cette ligne.&nbsp;\u00bb<\/p>\n\n\n\n<p>Eduardo Jorge de Oliveira, \u00ab&nbsp;Pays d\u2019encre, lignes des mots : l\u2019Ecuador&nbsp;d\u2019Estefan\u00eda Pe\u00f1afiel Loaiza&nbsp;\u00bb<em>, <\/em>2017.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>sans titre (paysage)<\/strong><\/h3>\n\n\n\n<h5 class=\"wp-block-heading\">2008, vid\u00e9o HD (1 min 55)<\/h5>\n\n\n\n<pre class=\"wp-block-code\"><code>https:&#47;&#47;player.vimeo.com\/video\/131075858<\/code><\/pre>\n\n\n\n<p>Plan fixe sur une feuille de papier o\u00f9 a \u00e9t\u00e9 \u00e9crit \u00e0 la main un extrait du livre Ecuador d\u2019Henri Michaux : \u00ab l\u2019horizon d\u2019abord dispara\u00eet \u00bb. Ma main entre dans le cadre et, comme en \u00e9crivant, efface le texte au contact de la plume.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>pr\u00e9face \u00e0 une cartographie d&#8217;un pays imagin\u00e9<\/strong><\/h3>\n\n\n\n<h5 class=\"wp-block-heading\">2008, installation, 2 vid\u00e9os synchrones (103 min 56), dimensions variables \/<\/h5>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"2362\" height=\"1576\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface2.jpg\" alt=\"\" class=\"wp-image-283\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface2.jpg 2362w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface2-300x200.jpg 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface2-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 2362px) 100vw, 2362px\" \/><\/a><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"2362\" height=\"1648\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface3.jpg\" alt=\"\" class=\"wp-image-285\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface3.jpg 2362w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface3-300x209.jpg 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface3-1024x714.jpg 1024w\" sizes=\"auto, (max-width: 2362px) 100vw, 2362px\" \/><\/a><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"2362\" height=\"1550\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface1.jpg\" alt=\"\" class=\"wp-image-282\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface1.jpg 2362w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface1-300x197.jpg 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/preface1-1024x672.jpg 1024w\" sizes=\"auto, (max-width: 2362px) 100vw, 2362px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p>J\u2019ai r\u00e9\u00e9crit \u00e0 l\u2019envers (de la fin au d\u00e9but, de droite \u00e0 gauche et du bas vers le haut) le premier chapitre d\u2019<em>Ecuador<\/em> , le journal de voyage d&#8217;Henri Michaux dans mon pays en 1928. La vid\u00e9o de cette r\u00e9\u00e9criture est projet\u00e9e \u00e0 l\u2019envers : on voit donc ma main en train d\u2019\u00ab enlever \u00bb le texte au moment o\u00f9 elle l\u2019\u00e9crit, laissant les pages blanches apr\u00e8s son passage. Une vid\u00e9o montre l\u2019action en plan fixe en plong\u00e9e, l&#8217;autre, tourn\u00e9e simultan\u00e9ment en plan rapproch\u00e9, montre la disparition du texte, lettre apr\u00e8s lettre, mot apr\u00e8s mot, au contact du stylo.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>cartographies 1. la crise de la dimension<\/strong><\/h3>\n\n\n\n<h5 class=\"wp-block-heading\">2010, vid\u00e9o HD (18 min 40) \/<\/h5>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/349316025?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Un livre ouvert repose sur une table. La page de droite ne comporte pas de texte. Ma main entre dans le cadre et parcourt la page blanche avec le bout des doigts tach\u00e9s d\u2019encre. Au toucher, l\u2019encre impr\u00e8gne la feuille et fait appara\u00eetre le texte qui manquait : un chapitre du livre d&#8217;Henri Michaux <em>Ecuador<\/em> (1929) intitul\u00e9 \u00abLa crise de la dimension\u00bb.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>cartographies 2. il y souffle un vent terrible<\/strong><\/h3>\n\n\n\n<h5 class=\"wp-block-heading\">2015, vid\u00e9o HD (3 min 10), son<\/h5>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/131893038?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Je r\u00e9cite le po\u00e8me \u00ab Je suis n\u00e9 trou\u00e9 \u00bb, un autre extrait du recueil <em>Ecuador<\/em> (1929) d\u2019Henri Michaux jusqu\u2019\u00e0 en perdre le souffle. Je tente de parvenir au bout des strophes sans reprendre la respiration tout en expirant la fum\u00e9e d\u2019un cigarette, et je recommence apr\u00e8s chaque strophe. Au montage, les prises de vue de ses six tentatives successives ont \u00e9t\u00e9 assembl\u00e9es, de sorte que l\u2019image du profile se d\u00e9double, se multiplie, et les voix se recouvrent pour former un canon \u00e0 six voix.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">cartographies 3. un nom est un objet \u00e0 d\u00e9tacher<\/h3>\n\n\n\n<h5 class=\"wp-block-heading\">2016, 12 photographies n\/b 58 x 87 cm<\/h5>\n\n\n\n<p>Les bouts de mes doigts s\u2019impr\u00e8gnent des mots issus d\u2019un chapitre du livre <em>Ecuador<\/em> (1929) d\u2019Henri Michaux.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft\"><a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_12-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1890\" height=\"1260\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_12-1.jpg\" alt=\"\" class=\"wp-image-2127\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_12-1.jpg 1890w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_12-1-300x200.jpg 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_12-1-768x512.jpg 768w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_12-1-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1890px) 100vw, 1890px\" \/><\/a><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft\"><a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_6.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1890\" height=\"1260\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_6.jpg\" alt=\"\" class=\"wp-image-2124\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_6.jpg 1890w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_6-300x200.jpg 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_6-768x512.jpg 768w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-3_6-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1890px) 100vw, 1890px\" \/><\/a><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><\/h3>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">cartographies 4. naus\u00e9e<\/h3>\n\n\n\n<h5 class=\"wp-block-heading\">2016, diptyque vid\u00e9o HD (11 min 20), son<\/h5>\n\n\n\n<p>Vid\u00e9o sur deux \u00e9crans synchrones. Dans l\u2019image \u00e0 gauche, des morceaux de texte imprim\u00e9s surgissent de ma bouche, comme dans un acte de r\u00e9gurgitation ; dans l\u2019image adjacente, je reconstitue avec ces fragments les pages manquantes d\u2019un chapitre du livre <em>Ecuador<\/em> (1929) d\u2019Henri Michaux.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/413062500?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1309\" height=\"1255\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/08\/cartographies-4-captures.png\" alt=\"\" class=\"wp-image-2132\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/08\/cartographies-4-captures.png 1309w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/08\/cartographies-4-captures-300x288.png 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/08\/cartographies-4-captures-768x736.png 768w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/08\/cartographies-4-captures-1024x982.png 1024w\" sizes=\"auto, (max-width: 1309px) 100vw, 1309px\" \/><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">cartographies 5. pain destin\u00e9 au voyageur<\/h3>\n\n\n\n<h5 class=\"wp-block-heading\">2016, 3 photographies couleur 33 x 55 cm<\/h5>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1890\" height=\"1260\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_1.jpg\" alt=\"\" class=\"wp-image-2137\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_1.jpg 1890w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_1-300x200.jpg 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_1-768x512.jpg 768w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_1-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1890px) 100vw, 1890px\" \/><\/a><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1890\" height=\"1260\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_2.jpg\" alt=\"\" class=\"wp-image-2138\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_2.jpg 1890w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_2-300x200.jpg 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_2-768x512.jpg 768w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_2-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1890px) 100vw, 1890px\" \/><\/a><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"1890\" height=\"1260\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_3.jpg\" alt=\"\" class=\"wp-image-2139\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_3.jpg 1890w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_3-300x200.jpg 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_3-768x512.jpg 768w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_3-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 1890px) 100vw, 1890px\" \/><\/figure>\n<\/div>\n\n\n<p><a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2017\/10\/cartographies-5_3.jpg\">\ufeff<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"block-205ccd37-eb2b-477a-9e41-a63ed101e321\"><strong>cartograf\u00edas 6. cordillera<\/strong><\/h3>\n\n\n\n<p id=\"block-d1afd7c3-f273-43a7-91cd-c36acd21d4c0\">2016, instalaci\u00f3n, papel, clavos grabados, luz, 210 x 85 x 85 cm.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille3-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"1024\" data-id=\"5193\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille3-576x1024.jpg\" alt=\"\" class=\"wp-image-5193\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille3-576x1024.jpg 576w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille3-169x300.jpg 169w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille3-768x1365.jpg 768w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille3-864x1536.jpg 864w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille3-1152x2048.jpg 1152w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille3-scaled.jpg 1440w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille2-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"1024\" data-id=\"5192\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille2-576x1024.jpg\" alt=\"\" class=\"wp-image-5192\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille2-576x1024.jpg 576w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille2-169x300.jpg 169w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille2-768x1365.jpg 768w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille2-864x1536.jpg 864w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille2-1152x2048.jpg 1152w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille2-scaled.jpg 1440w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille1-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"1024\" data-id=\"5191\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille1-576x1024.jpg\" alt=\"\" class=\"wp-image-5191\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille1-576x1024.jpg 576w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille1-169x300.jpg 169w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille1-768x1365.jpg 768w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille1-864x1536.jpg 864w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille1-1152x2048.jpg 1152w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous_detaille1-scaled.jpg 1440w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous-0-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"5190\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous-0-1024x683.jpg\" alt=\"\" class=\"wp-image-5190\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous-0-1024x683.jpg 1024w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous-0-300x200.jpg 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous-0-768x512.jpg 768w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous-0-1536x1024.jpg 1536w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous-0-2048x1365.jpg 2048w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2023\/05\/clous-0-295x197.jpg 295w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>sin t\u00edtulo (paisaje) 2008, v\u00eddeo HD (1 min 55) Plano fijo de una frase manuscrita extra\u00edda del libro Ecuador de Henri Michaux : \u00ab l\u2019horizon d\u2019abord dispara\u00eet \u00bb. Mi mano entra en cuadro y al mismo momento que escribe las palabras, las borra al contacto con la pluma. prefacio a una cartograf\u00eda de un pa\u00eds [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2105,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42,17,25,14],"tags":[],"class_list":["post-1707","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actions-performances","category-insitu","category-series","category-travaux"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"es","enabled_languages":["fr","es","en"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"es":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/posts\/1707","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/comments?post=1707"}],"version-history":[{"count":75,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/posts\/1707\/revisions"}],"predecessor-version":[{"id":5274,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/posts\/1707\/revisions\/5274"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/media\/2105"}],"wp:attachment":[{"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/media?parent=1707"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/categories?post=1707"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/es\/wp-json\/wp\/v2\/tags?post=1707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}