{"id":6048,"date":"2025-12-17T17:04:24","date_gmt":"2025-12-17T16:04:24","guid":{"rendered":"https:\/\/fragmentsliminaires.net\/?p=6048"},"modified":"2025-12-17T17:06:24","modified_gmt":"2025-12-17T16:06:24","slug":"6048","status":"publish","type":"post","link":"https:\/\/fragmentsliminaires.net\/en\/2025\/12\/17\/6048\/","title":{"rendered":"101 Arte Contempor\u00e1neo Ecuador Vol. I"},"content":{"rendered":"\n<p>Ed. EACHEVE, 2022<\/p>\n\n\n\n<p>This publication presents the most comprehensive survey of current art practices in Ecuador to date. By placing them in their cultural, social, and political contexts, the book assesses emblematic artworks lauded for their formal and conceptual significance, as well as their thematic orientation. The works in this first volume were selected and discussed by art historians and curators who not only experienced these processes up close, but whose insights helped shape the country\u2019s nascent contemporary art scene. This book illustrates for the first time the diversity and creative force of Ecuador\u2019s virtually unknown artistic production, situating it among the region\u2019s most idiosyncratic and noteworthy.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2025\/12\/libro-101-eacheve.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"439\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2025\/12\/libro-101-eacheve-1024x439.png\" alt=\"\" class=\"wp-image-6049\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2025\/12\/libro-101-eacheve-1024x439.png 1024w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2025\/12\/libro-101-eacheve-300x129.png 300w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2025\/12\/libro-101-eacheve-768x329.png 768w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2025\/12\/libro-101-eacheve.png 1482w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center has-small-font-size\"><a href=\"https:\/\/eacheve.com\/publicaciones\/101-arte-contemporaneo-ecuador-vol-i\/\">https:\/\/eacheve.com\/publicaciones\/101-arte-contemporaneo-ecuador-vol-i\/<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ed. EACHEVE, 2022 This publication presents the most comprehensive survey of current art practices in Ecuador to date. By placing them in their cultural, social, and political contexts, the book assesses emblematic artworks lauded for their formal and conceptual significance, as well as their thematic orientation. The works in this first volume were selected and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6049,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,60,23,43],"tags":[],"class_list":["post-6048","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-publications","category-autres","category-publications-catalogues-monographies"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["fr","es","en"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"es":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/6048","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/comments?post=6048"}],"version-history":[{"count":9,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/6048\/revisions"}],"predecessor-version":[{"id":6058,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/6048\/revisions\/6058"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/media\/6049"}],"wp:attachment":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/media?parent=6048"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/categories?post=6048"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/tags?post=6048"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}