{"id":492,"date":"2015-06-19T12:36:28","date_gmt":"2015-06-19T12:36:28","guid":{"rendered":"http:\/\/fragmentsliminaires.net\/?p=492"},"modified":"2020-01-15T17:53:33","modified_gmt":"2020-01-15T16:53:33","slug":"les-villes-invisibles-1-lattente-paris-1871","status":"publish","type":"post","link":"https:\/\/fragmentsliminaires.net\/en\/2015\/06\/19\/les-villes-invisibles-1-lattente-paris-1871\/","title":{"rendered":"the invisible cities 1. the awaiting (Paris 1871)"},"content":{"rendered":"<p><span style=\"color: #808080;\">2008, installation, impressions sur papier (18 x 11 cm), lumi\u00e8re, dimensions variables<\/span><\/p>\n<p style=\"text-align: justify;\">From the floor of the exhibition room thousands of images pile up under the white light of a very powerful projector. Printed through a degradation of monochrome ink, the closer they are to the light, the whiter and the more invisible the images become. The images depict a still from the film <strong><em>La Commune <\/em><\/strong>(2000) by Peter Watkins.<\/p>\n<div id=\"dc_vk_code\" style=\"display: none;\">\u00a0<\/div>\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2016\/01\/les-villes-detail.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"680\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2016\/01\/les-villes-detail-1024x680.jpg\" alt=\"\" data-id=\"1283\" data-full-url=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2016\/01\/les-villes-detail.jpg\" data-link=\"https:\/\/fragmentsliminaires.net\/les-villes-detail\/\" class=\"wp-image-1283\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2016\/01\/les-villes-detail-1024x680.jpg 1024w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2016\/01\/les-villes-detail-300x199.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2016\/01\/0117-copia.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"680\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2016\/01\/0117-copia-1024x680.jpg\" alt=\"\" data-id=\"1282\" data-full-url=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2016\/01\/0117-copia.jpg\" data-link=\"https:\/\/fragmentsliminaires.net\/0117-copia\/\" class=\"wp-image-1282\" srcset=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2016\/01\/0117-copia-1024x680.jpg 1024w, https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2016\/01\/0117-copia-300x199.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><\/li><\/ul><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>2008, installation, impressions sur papier (18 x 11 cm), lumi\u00e8re, dimensions variables From the floor of the exhibition room thousands of images pile up under the white light of a very powerful projector. Printed through a degradation of monochrome ink, the closer they are to the light, the whiter and the more invisible the images [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":489,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,23,14],"tags":[36],"class_list":["post-492","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-insitu","category-autres","category-travaux","tag-cinema"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["fr","es","en"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"es":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/comments?post=492"}],"version-history":[{"count":13,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/492\/revisions"}],"predecessor-version":[{"id":3151,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/492\/revisions\/3151"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/media\/489"}],"wp:attachment":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/media?parent=492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/categories?post=492"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/tags?post=492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}