{"id":3881,"date":"2021-10-26T23:21:58","date_gmt":"2021-10-26T22:21:58","guid":{"rendered":"https:\/\/fragmentsliminaires.net\/?p=3881"},"modified":"2023-05-21T10:22:20","modified_gmt":"2023-05-21T09:22:20","slug":"un-visage-dans-la-foule","status":"publish","type":"post","link":"https:\/\/fragmentsliminaires.net\/en\/2021\/10\/26\/un-visage-dans-la-foule\/","title":{"rendered":"a face in the crowd"},"content":{"rendered":"\n<p>2021, HD video, 3 non-synchronized films in loop<\/p>\n\n\n\n<p>The work consists of a montage of images obtained from the archives of the Cin\u00e9math\u00e8que de Toulouse, and more precisely from the corpus entitled &#8220;Oloron actualit\u00e9s&#8221;: a set of films shot in the 1910s by Fran\u00e7ois Moussay, a filmmaker who documented the daily life of the small town of Oloron-Sainte-Marie, located in the Pyrenean foothills. <\/p>\n\n\n\n<p>In her montage, Estefan\u00eda Pe\u00f1afiel Loaiza selects and re-frames the archive images in order to highlight the presence of people who were not the central subject of the original shots, and confronts them with footage she herself shot in 2021. The final ensemble literally places the viewer before the gaze of the anonymous passers-by who, following the artist&#8217;s intervention, emerge as the protagonists.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/814236884?h=3769bcf739\" allowfullscreen=\"\" width=\"800\" height=\"450\"><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>2021, HD video, 3 non-synchronized films in loop The work consists of a montage of images obtained from the archives of the Cin\u00e9math\u00e8que de Toulouse, and more precisely from the corpus entitled &#8220;Oloron actualit\u00e9s&#8221;: a set of films shot in the 1910s by Fran\u00e7ois Moussay, a filmmaker who documented the daily life of the small [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3882,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,23,14,19],"tags":[],"class_list":["post-3881","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-insitu","category-autres","category-travaux","category-video-photo-film"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["fr","es","en"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"es":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/3881","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/comments?post=3881"}],"version-history":[{"count":37,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/3881\/revisions"}],"predecessor-version":[{"id":5245,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/3881\/revisions\/5245"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/media\/3882"}],"wp:attachment":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/media?parent=3881"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/categories?post=3881"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/tags?post=3881"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}