{"id":3875,"date":"2021-10-26T22:59:28","date_gmt":"2021-10-26T21:59:28","guid":{"rendered":"https:\/\/fragmentsliminaires.net\/?p=3875"},"modified":"2024-08-29T14:48:08","modified_gmt":"2024-08-29T13:48:08","slug":"lumieres","status":"publish","type":"post","link":"https:\/\/fragmentsliminaires.net\/en\/2021\/10\/26\/lumieres\/","title":{"rendered":"lumi\u00e8res"},"content":{"rendered":"\n

2021, slide projection, 3 b&w images in loop<\/p>\n\n\n

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A slide projector alternately displays three images, similar and yet totally different at once. Each one is the result of the same gesture made by Estefan\u00eda Pe\u00f1afiel Loaiza from the three versions of the Lumi\u00e8re brothers’ film entitled “La Sortie de l’usine Lumi\u00e8re \u00e0 Lyon”, dating from 1895. The artist froze each one, leaving the shutter of his camera open while the film was running. The moving crowd becomes ghostly.<\/p>\n\n\n\n

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@ Franck Alix<\/figcaption><\/figure>\n\n\n\n
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@ Franck Alix<\/figcaption><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"

2021, slide projection, 3 b&w images in loop A slide projector alternately displays three images, similar and yet totally different at once. Each one is the result of the same gesture made by Estefan\u00eda Pe\u00f1afiel Loaiza from the three versions of the Lumi\u00e8re brothers’ film entitled “La Sortie de l’usine Lumi\u00e8re \u00e0 Lyon”, dating from […]<\/p>\n","protected":false},"author":1,"featured_media":3878,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,23,14,19],"tags":[],"class_list":["post-3875","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-insitu","category-autres","category-travaux","category-video-photo-film"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["fr","es","en"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"es":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/3875","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/comments?post=3875"}],"version-history":[{"count":19,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/3875\/revisions"}],"predecessor-version":[{"id":4746,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/3875\/revisions\/4746"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/media\/3878"}],"wp:attachment":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/media?parent=3875"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/categories?post=3875"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/tags?post=3875"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}