{"id":2910,"date":"2020-01-13T17:25:13","date_gmt":"2020-01-13T16:25:13","guid":{"rendered":"http:\/\/fragmentsliminaires.net\/?p=2910"},"modified":"2020-01-13T17:27:25","modified_gmt":"2020-01-13T16:27:25","slug":"une-certaine-idee-du-paradis-2","status":"publish","type":"post","link":"https:\/\/fragmentsliminaires.net\/en\/2020\/01\/13\/une-certaine-idee-du-paradis-2\/","title":{"rendered":"a certain idea of paradise"},"content":{"rendered":"\n<h5 class=\"has-cyan-bluish-gray-color has-text-color wp-block-heading\">2011, wall installation, 50 clip frames, ash on paper, variable dimensions<\/h5>\n\n\n\n<p>On a white wall, fifty frames hold the ashes of several burnt documents with the sheer pressure between the glass and the mount. The shapes adopted by the ash seem to depict several islands forming an archipelago, thus bringing to mind the imaginary representations of the \u2018Terra Incognita\u2019 and of the \u2018Cannibalia\u2019 that were often found in the first cartographies of the New World carried out in the 15th and 16th centuries.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><code><div aria-live=\"polite\" id=\"soliloquy-container-2711_1\" class=\"soliloquy-container soliloquy-transition-fade  soliloquy-theme-classic\" style=\"max-width:960px;max-height:640px;\"><ul id=\"soliloquy-2711_1\" class=\"soliloquy-slider soliloquy-slides soliloquy-wrap soliloquy-clear\"><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-1 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-382\" class=\"soliloquy-image soliloquy-image-1\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/paradis1-960x640_c.jpg\" alt=\"\" \/><div class=\"soliloquy-caption\"><div class=\"soliloquy-caption-inside\">\u00a9 Aur\u00e9lien Mole \/ Galerie Alain Gutharc 2012<\/div><\/div><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-2 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-385\" class=\"soliloquy-image soliloquy-image-2\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/paradis4-960x640_c.jpg\" alt=\"\" \/><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-3 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-386\" class=\"soliloquy-image soliloquy-image-3\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/une-certaine-ide\u0301e-du-paradis-de\u0301tail-Estefania-Penafiel-Loaiza-960x640_c.jpg\" alt=\"une certaine ide\u0301e du paradis de\u0301tail Estefania Penafiel Loaiza\" \/><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-4 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-2718\" class=\"soliloquy-image soliloquy-image-4\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2019\/12\/02_066858b_gozard_web-copie-960x640_c.jpg\" alt=\"\" \/><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-5 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-2719\" class=\"soliloquy-image soliloquy-image-5\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2019\/12\/03_066690b_gozard_web-copie-960x640_c.jpg\" alt=\"\" \/><\/li><\/ul><\/div><noscript><style type=\"text\/css\">#soliloquy-container-2711_1{opacity:1}<\/style><\/noscript><\/code><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2011, wall installation, 50 clip frames, ash on paper, variable dimensions On a white wall, fifty frames hold the ashes of several burnt documents with the sheer pressure between the glass and the mount. The shapes adopted by the ash seem to depict several islands forming an archipelago, thus bringing to mind the imaginary representations [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2718,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,25,23,14],"tags":[],"class_list":["post-2910","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-insitu","category-series","category-autres","category-travaux"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["fr","es","en"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"es":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/2910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/comments?post=2910"}],"version-history":[{"count":3,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/2910\/revisions"}],"predecessor-version":[{"id":2913,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/2910\/revisions\/2913"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/media\/2718"}],"wp:attachment":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/media?parent=2910"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/categories?post=2910"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/tags?post=2910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}