{"id":2040,"date":"2017-10-12T14:56:43","date_gmt":"2017-10-12T14:56:43","guid":{"rendered":"http:\/\/fragmentsliminaires.net\/?p=2040"},"modified":"2017-10-12T16:19:51","modified_gmt":"2017-10-12T16:19:51","slug":"exposition-collective-sans-tambour-ni-trompette","status":"publish","type":"post","link":"https:\/\/fragmentsliminaires.net\/en\/2017\/10\/12\/exposition-collective-sans-tambour-ni-trompette\/","title":{"rendered":"exposition collective “Sans tambour ni trompette…”"},"content":{"rendered":"

SANS TAMBOUR NI TROMPETTE <\/strong><\/h1>\n

Cent ans de guerres [Chap.4]<\/strong><\/h2>\n

Le Parvis – centre d\u2019art contemporain – Tarbes<\/h2>\n

du\u00a013.10.2017 au 13.01.2018 – vernissage jeudi 12 octobre<\/h2>\n

\"\"<\/a>\u00c0 gauche : L\u00e9o Dorfner, My life was saved by rock\u2019n\u2019roll – British invasion, 2017. Gravure sur casque, 25 x 30 x 30 cm. Courtesy de l\u2019artiste<\/h6>\n

Giulia Andreani – Sammy Baloji – L\u00e9a Belooussovitch – David Brognon & St\u00e9phanie Rollin – Morgane Denzler – L\u00e9o Dorfner – Harald Fernagu – Charles Fr\u00e9ger – Agn\u00e8s Geoffray – Marco Godinho – Lebohang Kganye – Kapwani Kiwanga \u2013\u00a0L\u00e9a Le Bricomte – Sandra Lorenzi – Lucien Murat – Estefan\u00eda Pe\u00f1afiel Loaiza – R\u00e9gis Perray – Mich\u00e8le Sylvander – Erwan Venn<\/p>\n

Commissariat : Julie Crenn<\/h4>\n

Con\u00e7ue comme une r\u00e9ponse au centenaire de la Premi\u00e8re Guerre Mondiale, l\u2019exposition Sans tambour ni trompette <\/em>\u2013 Cent ans de guerres permet de revenir sur la Guerre des Tranch\u00e9es, mais surtout sur les guerres qui l\u2019ont suivie.<\/p>\n

Au Mus\u00e9e Massey \u2013 Mus\u00e9e international des Hussards \u00e0 Tarbes, les guerres sont abord\u00e9es du point de vue des objets et des corps.<\/p>\n

Au Parvis \u00e0 Ibos, l\u2019exposition pr\u00e9sent\u00e9e au centre d\u2019art se consacre \u00e0 la manipulation et \u00e0 l\u2019invention des archives ayant trait \u00e0 une m\u00e9moire collective traumatis\u00e9e.<\/p>\n

Con\u00e7u\u00a0par Julie Crenn, le projet Sans tambour ni trompette \u2013 Cent ans de guerres <\/em>s\u2019organise en cinq chapitres. D\u00e9but\u00e9 en 2014 \u00e0 La Graineterie \u00e0 Houilles, Sans tambour ni trompette <\/em>s\u2019est poursuivi en 2015 \u00e0 l\u2019Artoth\u00e8que \u2013 Espaces d\u2019art contemporain de Caen, puis en 2016 au FRAC Aquitaine \u00e0 Bordeaux. Il fait \u00e9tape cette ann\u00e9e au Parvis \u00e0 Ibos et au Mus\u00e9e Massey \u2013 Mus\u00e9e international des Hussards \u00e0 Tarbes. Il prendra fin en 2018 au centre d\u2019art Faux-Mouvement \u00e0 Metz.<\/p>\n

Plus d\u2019info : http:\/\/www.parvis.net\/le-programme\/centre-dart-contemporain\/vernissage-de-lexposition-sans-tambour-ni-trompette–cent-ans-de-guerre<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

SANS TAMBOUR NI TROMPETTE Cent ans de guerres [Chap.4] Le Parvis – centre d\u2019art contemporain – Tarbes du\u00a013.10.2017 au 13.01.2018 – vernissage jeudi 12 octobre \u00c0 gauche : L\u00e9o Dorfner, My life was saved by rock\u2019n\u2019roll – British invasion, 2017. Gravure sur casque, 25 x 30 x 30 cm. Courtesy de l\u2019artiste Giulia Andreani – […]<\/p>\n","protected":false},"author":1,"featured_media":2047,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,41],"tags":[],"class_list":["post-2040","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-expositions"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["fr","es","en"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"es":{"title":false,"content":false,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/2040","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/comments?post=2040"}],"version-history":[{"count":10,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/2040\/revisions"}],"predecessor-version":[{"id":2092,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/2040\/revisions\/2092"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/media\/2047"}],"wp:attachment":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/media?parent=2040"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/categories?post=2040"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/tags?post=2040"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}