{"id":1717,"date":"2016-02-03T14:25:44","date_gmt":"2016-02-03T14:25:44","guid":{"rendered":"http:\/\/fragmentsliminaires.net\/?p=1717"},"modified":"2020-01-13T17:16:16","modified_gmt":"2020-01-13T16:16:16","slug":"une-certaine-idee-du-paradis","status":"publish","type":"post","link":"https:\/\/fragmentsliminaires.net\/en\/2016\/02\/03\/une-certaine-idee-du-paradis\/","title":{"rendered":"a certain idea of paradise (series)"},"content":{"rendered":"\n<p class=\"has-text-align-center\">.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">a certain idea of paradise<\/h3>\n\n\n<h5 style=\"text-align: left;\"><span style=\"color: #808080;\">2011, wall installation, 50 clip frames, ash on paper, variable dimensions<\/span><\/h5>\n<p>On a white wall, fifty frames hold the ashes of several burnt documents with the sheer pressure between the glass and the mount. The shapes adopted by the ash seem to depict several islands forming an archipelago, thus bringing to mind the imaginary representations of the \u2018Terra Incognita\u2019 and of the \u2018Cannibalia\u2019 that were often found in the first cartographies of the New World carried out in the 15th and 16th centuries.<\/p>\n<p style=\"text-align: center;\"><code id=\"soliloquy-shortcode\" class=\"soliloquy-code\"><div aria-live=\"polite\" id=\"soliloquy-container-2711_1\" class=\"soliloquy-container soliloquy-transition-fade  soliloquy-theme-classic\" style=\"max-width:960px;max-height:640px;\"><ul id=\"soliloquy-2711_1\" class=\"soliloquy-slider soliloquy-slides soliloquy-wrap soliloquy-clear\"><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-1 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-382\" class=\"soliloquy-image soliloquy-image-1\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/paradis1-960x640_c.jpg\" alt=\"\" \/><div class=\"soliloquy-caption\"><div class=\"soliloquy-caption-inside\">\u00a9 Aur\u00e9lien Mole \/ Galerie Alain Gutharc 2012<\/div><\/div><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-2 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-385\" class=\"soliloquy-image soliloquy-image-2\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/paradis4-960x640_c.jpg\" alt=\"\" \/><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-3 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-386\" class=\"soliloquy-image soliloquy-image-3\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/une-certaine-ide\u0301e-du-paradis-de\u0301tail-Estefania-Penafiel-Loaiza-960x640_c.jpg\" alt=\"une certaine ide\u0301e du paradis de\u0301tail Estefania Penafiel Loaiza\" \/><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-4 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-2718\" class=\"soliloquy-image soliloquy-image-4\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2019\/12\/02_066858b_gozard_web-copie-960x640_c.jpg\" alt=\"\" \/><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-5 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-2719\" class=\"soliloquy-image soliloquy-image-5\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2019\/12\/03_066690b_gozard_web-copie-960x640_c.jpg\" alt=\"\" \/><\/li><\/ul><\/div><noscript><style type=\"text\/css\">#soliloquy-container-2711_1{opacity:1}<\/style><\/noscript><\/code><\/p>\n<p style=\"text-align: center;\">.<\/p>\n<hr \/>\n<h3 id=\"dc_vk_code\" style=\"display: none;\">\u00a0<\/h3>\n<h3>a certain idea of paradise 1. this gold we eat (following Guam\u00e1n Poma de Ayala)<\/h3>\n<h5><span style=\"color: #808080;\">2006, mural drawing, Swiss chocolate, Ecuadorian cacao, variable dimensions<\/span><\/h5>\n<p>Drawing carried out directly on the wall of the exhibition room of the Attitudes Arts Centre in Geneva, Switzerland (first place where this piece was produced). It is a large-scale drawing taken from the <em>Nueva Cr\u00f3nica y Buen Gobierno <\/em>by Guam\u00e1n Poma de Ayala (1615), in which an Inca and a Spanish <em>conquistador<\/em> are depicted exchanging produce. For ink I used a mixture of Swiss chocolate made with Ecuadorian cocoa.<\/p>\n<p style=\"text-align: center;\"><code data-rich-text-format-boundary=\"true\"><div aria-live=\"polite\" id=\"soliloquy-container-2702_2\" class=\"soliloquy-container soliloquy-transition-fade  soliloquy-theme-classic\" style=\"max-width:960px;max-height:650px;\"><ul id=\"soliloquy-2702_2\" class=\"soliloquy-slider soliloquy-slides soliloquy-wrap soliloquy-clear\"><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-1 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-399\" class=\"soliloquy-image soliloquy-image-1\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/LA1-960x650_c.jpg\" alt=\"\" \/><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-2 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-392\" class=\"soliloquy-image soliloquy-image-2\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/PICT0046-960x650_c.jpg\" alt=\"\" \/><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-3 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-2688\" class=\"soliloquy-image soliloquy-image-3\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2016\/02\/una-cierta-idea-del-paraiso_1-scaled-960x650_c.jpg\" alt=\"una cierta idea del paraiso_1\" \/><\/li><li aria-hidden=\"true\" class=\"soliloquy-item soliloquy-item-4 soliloquy-image-slide\" draggable=\"false\" style=\"list-style:none\"><img decoding=\"async\" id=\"soliloquy-image-2690\" class=\"soliloquy-image soliloquy-image-4\" src=\"https:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2016\/02\/una-cierta-idea-del-paraiso_3-scaled-960x650_c.jpg\" alt=\"una cierta idea del paraiso_3\" \/><\/li><\/ul><\/div><noscript><style type=\"text\/css\">#soliloquy-container-2702_2{opacity:1}<\/style><\/noscript><\/code><\/p>\n<div id=\"dc_vk_code\" style=\"display: none;\">\u00a0<\/div>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>. a certain idea of paradise 2011, wall installation, 50 clip frames, ash on paper, variable dimensions On a white wall, fifty frames hold the ashes of several burnt documents with the sheer pressure between the glass and the mount. The shapes adopted by the ash seem to depict several islands forming an archipelago, thus [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":386,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42,17,25,23,14],"tags":[],"class_list":["post-1717","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actions-performances","category-insitu","category-series","category-autres","category-travaux"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["fr","es","en"],"languages":{"fr":{"title":true,"content":true,"excerpt":false},"es":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/1717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/comments?post=1717"}],"version-history":[{"count":36,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/1717\/revisions"}],"predecessor-version":[{"id":2909,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/posts\/1717\/revisions\/2909"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/media\/386"}],"wp:attachment":[{"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/media?parent=1717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/categories?post=1717"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fragmentsliminaires.net\/en\/wp-json\/wp\/v2\/tags?post=1717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}