A landscape with a sea horizon is projected on a screen touching the floor of the exhibition room. The video was recorded from the \u201cMalec\u00f3n\u201d, a seaside avenue in Havana, looking north from the island towards the sea. This view reflects on the water that runs from underneath and along the projection screen.<\/p>\n 2005, in situ intervention, eraser on wall, variable dimensions <\/span><\/p>\n On the white surface of a wall, running from one end to the other at the eye level, an imaginary line has been withdrawn with an eraser..<\/p>\n 2006, in situ intervention (Museum of the Sisters Aslamazyan, Gyumri), fingerprints on glass, variable dimensions<\/span><\/p>\n In Paris as well as in Armenia, I asked several Armenians belonging to different generations to provide me with names, phrases, dates\u2026 anything that would evoke for them an absence, a memory, the idea of something that no longer exists in Armenia. Among the words I collected, I reproduced twenty four by stamping my fingertips on the glass surface of all the windows in the museum, with the help of templates. These ephemeral signs, subtle and almost invisible, are only \u201crevealed\u201d through a change of light or of perspective.<\/p>\n \n (*) the mushrooms<\/em><\/p>\n 2007, fingerprints, variable dimensions![\"\"](\"http:\/\/fragmentsliminaires.net\/wp-content\/uploads\/2015\/06\/miragesN1_1.jpg\")
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\nmirage(s) 2. imaginary line (equator)<\/h3>\n
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\nmirage(s) 3. Armenia<\/h3>\n
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\nmirage(s)\u00a0 3. les coamels *<\/h3>\n
\n(in situ intervention, Domaine de la Pi\u00e8ce, Saint-Gervais-sur-Mare)<\/span><\/p>\n